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With its climate change angle and unlikely friendships, Arco recalls two of 2024's animated standouts: Flow and The Wild Robot. But it also forges an identity of its own thanks to its stunning 2D animation, which plays like a combination of the styles of Jean Giraud (aka Mœbius) and the films of Studio Ghibli. As I wrote in my review, "In a mainstream animation landscape dominated by 3D-animated films, Arco's visuals are a testament to the enduring power of 2D work, as well as French filmmakers' commitment to the medium. If you love animation, run, don't walk — or better yet, fly by rainbow — to catch it."* — B.E.
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In Scream 7, Williamson and his co-writers offer a collection of kids who are spirited, funny, quirky, and creepy. They are distinctive and not casually disposed of, but are brutally killed. This reflects the first film, which didn't take itself that seriously. As the franchise switched hands to directors Matt Bettinelli-Olpin and Tyler Gillett with Scream 5 and 6, the new heroine's (Melissa Barrera) brooding over being the offspring of Billy Loomis dragged the franchise into a suffocatingly grim terrain.